Science

Story Sharing Cube at Borderland Festival 2019. Photo by Hilda Rujs. Cube design, assembling and technical tailoring by Kalle Oja & Peter Tapio.
Story Sharing Cube at Borderland Festival 2019. Photo by Hilda Rujs. Cube design, assembling and technical tailoring by Kalle Oja & Peter Tapio.

The ongoing debate on transformations at all levels, from the individual to the collective, lacks a unified and coherent perspective. Scholars across various disciplines from festive studies to psychology have yet to establish a common understanding of the role and function of narratives in society. In transformation research and practice, a theoretically robust framework for grasping the significance of transformative narratives remains undiscovered. Although narrative analysis and theory are well-established and widely utilized across many fields, what is missing is an effort to bridge the diverse schools of thought to identify the shared characteristics of narratives across different individual and social contexts (Kawai et al., 2023), such as festives. Our work is an experiment to bridge that gap through unconventional data collection methods and dissemination data through visual art within the context of transformative event communities.

Kawai, T., et al. (2023). Narratives for personal and collective transformations. The European Jrnl of Social Science Research

Data Collection

 Story Sharing Cube at Burning Man in the Black Rock Desert, Nevada, 2019. Photo credit: Terje Toomistu (2019).
Story Sharing Cube at Burning Man in the Black Rock Desert, Nevada, 2019. Photo credit: Terje Toomistu (2019).

The data collection started 2019 and is currently ongoing via the AI platform. The field report "Transformation Through Connection? Insights From a Pilot Study of Story Sharing Cubes at Burning Man Events" explores the use of a novel data collection method at transformative events like Burning Man. Data collection was done with tailor made Story Sharing Cubes (SSC), which allowed festival participants to anonymously record their most meaningful event experiences. This method was piloted at The Borderland 2019 and Burning Man 2019 festivals with antropologist Terje Toomistu, and it then expanded to gather narratives without the traditional constraints of interviews or surveys. The data has been also collected in dedicated story sharing workshops in festivals such as BOOM, Ozora and Mo:dem, where participants write about their experiences. Additional data was collected 2018 through Burning Stories surveys, where participants could write their story to an online template.

Overall the findings highlight themes of transformation and human connection, with participants often recounting collaborative, deeply emotional, and also life-changing experiences. The SSCs in particular not only captured personal stories but also contributed to the overall event experience by encouraging self-reflection and community dialogue, which also became the grounding material for the AI together with other datasets. 

ACADEMIC AND MEDIA OUTPUTS FEATURING AND GROUNDING DATA COLLECTION AND ARTWORK